“When you rise in the morning, give thanks for the light, for your life, for your strength. Give thanks for your food and for the joy of living. If you see no reason to give thanks, the fault lies in yourself.”
Our mind is the locus of our consciousness, and consciousness is the foundation and source of all reality. Therefore, if you wish to elevate and improve your reality, you must first begin by elevating your thoughts and your words. Adjust your vibrational energy toward peace, love, health, and virtue, and everything else will follow.
“All things are in a state of vibration. Vibrations from objects in our surroundings are constantly impinging upon us and carrying to our senses a cognition of the external world. Vibrations in the ether act upon our eyes so that we may see, and vibrations in the air transmit sounds to the ear.”
“My dad said to me, ‘Enjoy coming home. Because there is going to come a time when you can’t go home.’ I asked him, and said, ‘Dad, what does that mean?’ He said, “Well, the house will be there, but the people in the house won’t be there.’”
– Lionel Richie
Never take “home” for granted. Cherish it, every day. Home is made by the people you love, and by the love they have for you. Hold this sacred, even when you are apart from one another. Honor it. Protect it. The very fact that this exists – that “home” exists – is a precious gift.
“I looked. George Shearing. And as always he leaned his blind head on his pale hand, all ears opened like the ears of an elephant. Then they urged him to get up and play. He did. Shearing began to play his chords; they rolled out of the piano in great rich showers, you’d think the man wouldn’t have time to line them up. They rolled and rolled like the sea. He played innumerable choruses with amazing chords that mounted higher and higher till the sweat splashed all over the piano and everybody listened in awe and fright. They led him off the stand after an hour. Shearing rose from the piano, dripping with sweat; these were his great days before he became cool and commercial. He went back to his dark corner, old God Shearing, and the boys said, ‘There ain’t nothing left after that.’ When he was gone, Dean pointed to the empty piano seat. ‘God’s empty chair,’ he said. God was gone; it was the silence of his departure. It was a rainy night. It was the myth of the rainy night.”
– Jack Kerouac
This text is my own compilation of two entirely separate accounts that Jack Kerouac wrote describing a single rainy night when he and “Dean” (Neal Cassady) watched George Shearing play piano at a jazz club. The more I combed through each of the two descriptions, the more I found them to be almost perfectly complimentary to each other. Eventually, it even started to seem as if Kerouac had deliberately structured them this way: consistently presenting certain elements of the experience in one description that he had left out of (or shaded differently in) the other, and vice versa. Being an avid appreciator of Kerouac’s descriptive writing, I became curious to see how the text would feel if I synthesized these two descriptions into one continuous narrative. It started as a creative exercise, but as I proceeded, it almost began to feel as if Jack had quite purposefully left this puzzle to be found and deciphered later by some especially attentive (and lucky) reader, and that I had by pure good fortune stumbled upon this riddle. Whether he did it on purpose or not, I do not know. But the combined story ended up coming together in such a compelling manner, I decided to share it with you here. I hope you enjoy!